The enigmatic Being played by Abigail Thaw. Photo by Paul Walker
If this has whetted your appetite to see the film, please contact us.
It is behind a password to maintain qualification for film festivals who prefer that entries are not readily available on the web.
The first six festival selections
Recognising John Wood’s brilliant sound design.
Semi-Finalist in the Women’s Film Challenge in the Audience Awards, and is one of 40 long listed films directed by women from an entry over 200.
Selected for the LA Neo Noir Novel, Film & Script Festival and nominated for Best Picture. Screening 26 May 2018 in Hollywood.
April 2018: news coming in of a worldwide showcase tour selection during 2018-9. Waiting for official announcement before sharing details.
March 2018: Selected for the Women’s Only Entertainment Film Festival and won Best Short Short Film Award
23 March 2018: The BAFTA’s Lucky 225 Film Night in London. A showcase of 10 films by this women film makers' group.
2 February 2018: The Final Girls Berlin Film Festival – a festival dedicated to women working in the horror genre
January 2018 London Independent Story First Film Festival: Nominated and shortlisted.
Semi-finalist in the Casting Category
A little teaser taster while we finished the post production.
Poster designed by John Mundy using photographs by Paul Walker.
The Being: Abigail Thaw
Angie Bradstock: Phillipa Peak
Writer, Director: A D Cooper
Producers: A D Cooper, Steve Croson
Casting Director: Annie Rowe CDG
Cinematographer: Candida Richardson
Camera Assistant: Balan Evans
1st A D: Jack Farrar
Gaffer: Jon Hearn
Make Up Artist: Sarah Grundy
Make Up Assistant: Polly Mercer
Script Supervisor: Sheila McNaught
Sound Recordists: Mark Andrews, Simon Norman
Graphic Designer (Book cover): Paul Crane
Editor: Gary Tobyn
Visual Effects: David King
Composer: Henry Bird
Colourist: Jon Dobson
Sound Designer & Mix: John C Wood
Film Stills Photographer: Paul Walker
Publicity Materials: John Mundy
Catering: Kingfisher Café, Merci Marie & The Dusty Knuckle
Camera Equipment provided by AimImage
Lighting Equipment provided by Location Lighting
Sound Recording Equipment provided by Mark Andrews Sound & Editing Services
Insurance by Essex Insurance
Thanks to Bob & Val Boyle, the Bootstrap Company Ltd, Mary Cooper, Film London Talent Connect, Pip Lacey, Alwyne Kennedy, Paul Lewis, Catherina Golebiowska & Nathan, Mariella Rowe, Andrew Shepherd, Shooting People, David A Smith, Catherine Taylor, Marianna Tobyn and Dan Tsantilis.
Facebook Page: https://www.facebook.com/thepennydroppedshortfilm/
The shoot took place on 8 & 9 September in a dank Dalston bunker in London E8 which proved as challenging as it was appropriate. The project is being entered into film festivals worldwide.
Length: 5.47 minutes (shorter version without end credits 4.55m)
Abigail Thaw (“Endeavour”) plays the role of The Being
Phillipa Peak (“Home Fires”) plays the role of Angie Bradstock.
Angie waits and frets holding the book that made her famous. Photo by Paul Walker
Semi-final in Women’s Film initiative in the Audience Awards in the USA (TBA)
Southampton International Film Festival 2017: Best Cinematography in a Short, Best Sound Design (won)
Purbeck Film Festival 2017: Best Live Action
Underwire Film Festival 2017: Best Cinematography
LA Neo Noir Novel, Film and Script Festival 2018: Best Picture (TBA)
Women’s Only Entertainment Film Festival 2018: Best Short Short (won)
One Reeler Film Festival: Order of Merit (won)
“Angie” (Phillipa Peak) Photo by Paul Walker
Photo by Paul Walker
Simon Norman, sound recordist, strikes a pose with his boom mic
Even script supervisor Sheila McNaught looks spooky in the half light.
Waiting for the close up. Photo by Paul Walker.
Angie’s book, with graphics designed by Paul Crane.
A sense of the bunker location in Dalston E8. Note the moisture in the light beam. It was damp and drippy down there. Photo by Paul Walker
Canny Richardson (cinematographer nominated for two awards for this film) and Balan Evans (AC) busy with their lenses. Photo by Paul Walker
Editor Gary Tobyn at work refining the cuts. The film had to be under 5 mins for the WFTV/Lifetime TV competition which was a tough discipline but it kept the narrative from lagging.
Sound designer and mixer, the legendary John “Fingers” Wood finesses the spot effects with the music by Henry Bird. John’s work resulted in a Best Sound Design award.
The poster and postcards designed by John Mundy using Paul Walker’s photographs.
The last stage before the online. Colourist Jon Dobson checks that the grade works on different screens.
The DVDs also designed by John Mundy.